I just returned from The Studio at the Corning Museum of Glass where I participated in the workshop on glass casting led by Richard Whiteley. What a great experience!!!! I've now been privileged to attend 10 workshops at The Studio and I think this one ranks up there as #1. There are too many things to go into - suffice it to say that if you ever get a chance to work with Richard - take the plunge. It will be rewarding.
First off, workshops at Corning have a "teaching assistant" whose main job is to herd the cats (workshop participants), fire the kilns, and generally keep people from doing silly stupid things. We had much more than a TA though. Heike Brachlow was our TA for the session. She should have been considered as co-instructor. She did so much more than the typical BA. She is a world class glass caster in her own right. Check out her work here. One of her movement pieces was featured on the cover of the Bullseye catalog #7.
Check out Richard's work here. Richard treated the workshop more as a very abbreviated class he would teach at the Australian National University. This is very different from what I've experienced in past workshops. There was an equal amount of thinking/planning as there was actual hands-on work. At first, I questioned this approach but I think it was much more effective.
Richard and Heike were sticklers for safety and health practices - requiring dust masks, eye and hearing protection. Here is a picture showing how we usually saw him during the day.
And here is a picture of me working on a mold.
I'll post some additional topics about the actual pieces I made during the workshop in the near future, along with photos.
Refractory fibres
3 days ago
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